Ubuhle Women: Beadwork and the Art of Independence

ABOUT

Ubuhle Women: Beadwork and the Art of Independence showcases a new form of bead art, the “ndwango,” developed by a community of women living and working together in rural KwaZulu-Natal, South Africa. 

The black fabric on which the Ubuhle women work is reminiscent of the Xhosa headscarves and skirts which many of them grew up wearing. Stretching this textile like a canvas, artists can transform the flat cloth into a contemporary art form with colored Czech glass beads. Using skills handed down through generations, and working in their own unique style “directly from the soul,” according to artist Ntombephi Ntobela, the women create abstract as well as figurative subjects for their ndwangos.

Ubuhle means “beauty” in the Xhosa and Zulu languages and it describes the shimmering quality of light on glass that for the Xhosa people has a particular spiritual significance. From a distance, each panel seems to be formed from a continuous surface, but as each tiny individual bead catches the light, the viewer becomes aware of the meticulous skill that went into each work and the scale of ambition: a single panel can take more than 10 months to complete.

Ubuhle Women: Beadwork and the Art of Independence was developed by the Smithsonian Anacostia Community Museum, Washington, DC in cooperation with Curators Bev Gibson, Ubuhle Beads, and James Green, and is organized for tour by International Arts & Artists, Washington, DC.

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